the organised type

I divided my portfolio into sections, starting from the latest and ending with the least recent project. Each section consists of a project title or the company name, a short description of the project, the software used in the process, useful tags (e.g. editorial), and the images which showcase the work.

This publication was designed as part of a module within a master’s program I participated in. The task involved selecting a subject, conducting research, defining the publication’s formal aspects, choosing content and imagery, exploring different layouts and typographic approaches, and ultimately designing an exhibition catalogue.

The ClearSky Airline brand identity was created as the final assignment for the Brand Identity module of the master’s program I took part in. After researching the industry, the target audience, and the competitors, I designed the identity for an eco-friendly airline. I started developing three different concepts, and then I chose one of them and finalised the design.

Iva Stasiow is a lovely psychotherapist who needed rebranding. She already had a logo, a website, and a social media presence, but the brand didn’t feel cohesive. I have designed and animated a logo, created a set of icons, calling cards, a letterhead, social media templates and cover images, as well as a new website layout, which hasn’t been implemented yet.

I was a part of the CRM team at FOREO Sweden. My role as the team’s graphic designer was to design the newsletters and the customer journeys for the customer base. Here are two examples — the newsletters with the white background are the customer journey that gets sent out to everyone who had purchased a LUNA device, and the ones with the black background get sent to the customers who have bought the FAQ 101 device.

City Glass CO. is a company from Rotterdam, New York. It is a family-run business which needed a rebrand — they wanted to seem more modern and professional. I designed a new logo and a new website for them.

Thornbury Manor is a text-based web-browser puzzle game. It was born out of boredom during the pandemic. The plan was to release it on Halloween as it is horror-themed, although not very scary at all.

All of the graphic elements, the design of the website and the puzzles (except for two), as well as the writing of the story, were done by me. However, the cringe jump scare on the landing page was added by a friend on whose website the game was being hosted. He was the one who created the other two puzzles, and he did all of the coding, and figured out the site’s architecture. I am truly very grateful to him.

The images below contain no spoilers about the game as there are no screenshots of the actual puzzles or their solutions.

In the summer of 2019, I was privileged enough to be presented with an opportunity to work with Ulysses, the theatre that annually pops up on the Brijuni islands in Croatia. My task was to design the billboard and the city-light poster, as well as the repertoire, and the booklet for the play ”Who’s Afraid of Virginia Woolf?” by Edward Albee.

I basically grew up at Gavella because my mother used to work there for 35 years, so this would have been a case of nepotism had I actually gotten paid for the work, but I didn’t.
I have always been a huge fan of the design studio Gavella was working with and the posters they had been making for the plays for years. Therefore I was confused by the decision to change designers as the new leadership took over the theatre. I stepped in only until they found a replacement. I ended up designing the photo-wall for the play “Cigla” by Filip Šovagović, as well as a couple of repertoires. My goal was to make the designs fit in perfectly with the previous ones.